March, 2007


22
Mar 07

Top Design: Chef’s Choice

In this episode, there was some cross-pollination from another Bravo series. Here, the designers had to design a chef’s table room for a mystery chef who would sit on this week’s panel – Tom Colicchio from Top Chef. Of course, this isn’t revealed until the elimination round.

With a budget of $42,000, the designers must set out to create a luxurious room that combines natural materials, crafts, and mid-century design. Of course, this sounds like a load of money to make a demo – how can anyone go wrong here? But, things do go wrong and this was actually one of the better episodes drama-wise. And there is plenty of drama. Carissa has her control freak moments where she clashes with Carl, her carpenter. She feels he is so perfectionistic that he cannot manage his time, and when she warns him that a beam is going to fall apart, he doesn’t listen. However, she saves her great table that looks like it was cut from one tree when the beam gives way. She unfortunately comes across at panel as giving too much excuses. Goil has a hard time with setting the hardwood floor, but his carpenter calms him down. Then his paintjob goes bad and he tries to run with it. When the contestants are asked which designer’s room isn’t appealing, it doesn’t help that a few of them don’t like his floral chandelier. Matt has a little trouble with the leather flooring early on, but quickly sails out of it and puts that hard earned extra hour from the last win to good use. And Michael – he just needs to get out more, read up, or something. I don’t doubt his creativity, but he just needs to expand. I have to agree with Told Oldham saying his unfinished red canvas paintings look violent instead of representing hunger.

Most of my reactions to projects so far have been, “That’s nice.” This time, I had a “wow” reaction when I saw Andrea’s finished room. She manages to put together an elegant, finished room that was inviting. The white upholstered chairs with the goes well with the dark table. Her presentation – spot on. She was worried, nervous. She teaches restaurant design, so she understandably is worried about staking her reputation. However, she had nothing to worry about as she deservedly wins the challenge.

Alas, poor Michael. He goes home. I thought it was going to be Carissa. It was her weakest design. The table is a great touch, but the green walls just have to go. Every time her work is under scrutiny, she always has one excuse or another. It would have been a shame if Goil went. I like that his work is unconventional and that he really thinks about things. Michael’s reluctance to show what he’s thinking is his undoing here.

Margaret Russell has grown on me. She’s just very stylish, impeccably dressed, and has a great classic hairstyle. She hasn’t made the aggressive comments of earlier episodes, but I wished I heard more from her. Kelly Wearstler, in the guise of a Victorian doll with wild hair, offers the most comments this time. Once again, I’m not crazy about Jonathan Adler’s color combinations in his ensemble, but it’s not as bad as last week.

Overall, one of their better episodes. I hope next week’s episode is as good or better.


19
Mar 07

Battlestar Galactica, Season 3: Crossroads

I was looking forward to seeing Caprica Six kick Tigh’s ass in this episode. She doesn’t get the chance, as the MP’s would have shot her down if she made a second strike back (it’s fair to say he provoked it). However, she gives him a good psychological beating by bringing up his dead wife, the one he poisoned for her collaboration with the Cylons back on New Caprica. She knows from personal experience how love hurts, and she in turn has a more potent weapon than her fists. It’s an interesting turn in the past few episodes for Caprica Six, handling herself with cunning. While this is not out of character, a lot of emphasis in the past has been on her vulnerability (for this specific Six).

For Saul Tigh, the effects of his visit to Caprica’s jail cell doesn’t end there. Being an alcoholic, he lapses into drinking heavily before he’s called to the stand during Baltar’s trial, showing up drunk and losing credibility as a witness as he reveals he killed his wife for collaborating with the Cylons. While Ellen Tigh was essentially a victim of the Cylons by being forced to collaborate and give up information, resulting in the resistance’s need to eliminate a risk, Tigh finds himself backed into the corner by Baltar’s attorney. He should have shared this information with the prosecutor, who doesn’t seem to be prepared for this.

Others seem to have a credibility problem as well. Lee Adama clashes with his father over the trial, and resigns his commission. But that is only the beginning of his problems. Lee’s idealism does little to prepare him for the ramifications of being a defense attorney. Showing up in a civilian suit, Lee brashly takes the floor and uses one thing he knows about President Roslin to further the case. He does badly when it comes to questioning Roslin as a witness, where she first shames him to prevent him from asking the question and, when that fails, pushes him to seek the logical end of his question when it isn’t convenient for the case. Lee’s attempt to do the right thing isn’t met with enthusiasm by anyone close to him, especially as his wife leaves him. Since he no longer has a military rank, isn’t officially an attorney, where can he go after the trial is over? Lampkin has little to lose; he is simply doing his job as an attorney. Lampkin can go back to his ship, whatever that is. Lee needs to shop out his resume to the other ships (which may not be enthusiastic about having someone who gave up his military rank in order to defend the most hated man in the fleet). Roslin, the casualty of Lee’s zeal, must now deal with the press about her chamala use and her revelation that her cancer’s come back. While the drug may not be illegal in the fleet, the image of the President as a drug user can be damaging. Also, the press is concerned that her health may once again be an issue regarding her ability to do her job as President.

Both Baltar and Caprica Six deal with their inner lovers in this episode. It tends to be limited to one or the other. When Baltar is confronted with a “fan” who wants a blessing, his inner Six appeals to his desire for glory speaking of that immortality that comes with that kind of adoration after death. Caprica’s inner Baltar helps her handle Tigh and kick his ass mentally. Given that both of them have these manifestations in their mind, there has never been any clear explanations of how it happened, though Baltar’s inner Six enjoyed toying with him early on, at one time suggesting the Cylons implanted a chip.

Caprica Six still looks great and Baltar seems to have gotten a black shirt from somewhere. Caprica somehow seems to be able to do her make-up without a mirror and her clothes look none the worse for the wear. And, is she wearing high heels? Those are potential weapons. Baltar has this knack for arriving on a ship with only the clothes on his back, but he somehow manages to get more clothes. He only had his suit and white shirt when Tyrol brought him aboard a month ago, but now he has a black shirt. I don’t think he had it tucked away in his pocket, issued from the Cylons. Those Brave New Worlders seem to like to keep their trendy gear to themselves.

Where is Tom Zarek? This guy seemed to have gone into hiding after he warned Roslin the trial was a bad idea. The trial itself is born out of Roslin’s desire for Baltar to recieve justice through due process, which now seems more like an ideal than ever. Others, such as Adama, find it expedient to simply execute Baltar. A few episodes ago, Adama offers to make Baltar disappear, but Roslin insists on him recieving a fair trial. Given that Zarek was an opponent of Roslin’s early on, he has become one of her strongest supporters up to the point of being willing to do the dirty work to keep Roslin’s hands clean. Being a former terrorist, Zarek has no illusions about the ideals of government and justice. He does, however, seem to recognize that others have them, especially towards Roslin. So he may have been trying to protect her with that warning. But, there may some dirt on him he’s afraid will come out during Baltar’s trial.

Next week is disappointingly the season finale. The trial continues, and then I’ll experience the withdrawal symptoms. I may just check everything out on Netflix again.


18
Mar 07

300 (Film Review)

“We are Sparta!”

This is the constant declaration of Leonidas, the laconic warrior king of Sparta, in 300. A man who does not and cannot say much, Leonidas is the hero in this film, a man’s man who bows to no one and leads a fight to the death with his 300 men against the advancing Persian forces. The Battle of Thermopylae actually took place in history, but this version is fantasy. The Spartans are buffed out and fight scantily clad (a definite gay fantasy) and the advancing Persian forces are composed of elaborately dressed soldiers and freaks (most of them are both). Amongst the freaks includes a giant executioner with blades for forearms, a contingent of masked men who look like zombies when unmasked, and the traitorous hunchback Ephialtes (whose name is synonymous with treachery in Greece). Xerxes here does not have the long Persian locks or elaborately coifed beard of his historical likeness. Instead, he’s a bald, clean-shaven, scantily clad giant with excessive gold jewelry (eyeliner and arched eyebrows), borne on a litter that would put a gay pride float to shame.

Given that 300 is based on the graphic novel more than the historical battle, historical accuracy isn’t (nor is it intended) to be a strong point of the film. But is any film about the classical period authentic in any detail, even when it tries to be? Gladiator has lots of rich detail, but it too look liberty (e.g. Commodus did not die in the arena at the hand of the gladiator as depicted in the film). The graphic novel 300 alrady takes liberties with the historic details, so the film’s aim is the be faithful to its source.

The film is epic and mythic, right at home in the sci-fi realm. The visuals are fantastic. The freaks are a part of that, but the landscapes, the sky, and the locations are breathtaking. The characters, especially the hero, aren’t that round at all. Even though Leonidas has a back story, is characterized as a lover, a fighter, and a father, and is the central character, there isn’t really much to show him as a realistic human being. With characters like these, it becomes even more important for the actor to project his emotions through what he does not say. Gerard Butler does exactly that, because there are things King Leonidas can’t or doesn’t want to say, but is conveyed through the eyes. One would expect more eloquence from Xerxes, who tends to be equally laconic, especially when he makes a deal with Ephialtes. He only says a few few words as he listens to the hunchback propose his treachery, and punctuates his responses with “I am kind.”

While the Iranian governernment may object to the film’s portrayal of Persians in the film, that Xerxes recognizes diversity and what it has to offer is a positive. Unlike the heroic Spartans of 300, who toss their genetically unfit children over a cliff (this type of eugenics was practiced in Sparta), Xerxes’ army came from various cultures and races and even employed the disabled and the differently abled. In his entourage, there were trannies and women from his harem kissing each other. While this goes with the traditional casting of the villain as effeminate and decadent, Xerxes is inclusive, whereas the Spartans were not (the helots and the non-citizen artisans are rarely shown and would not have been fit by Spartan standards for battle). However, his interest is assimilation. This makes them the Borg of 300, who only wish to add the Greek’s distinctiveness to their own.

Overall, I did enjoy this film. I came to this one with low expectations, so I didn’t come away feeling too disappointed. The one merit of this film is that it will spark interest in classical history. Since the fantasy element is obvious, hopefully this will prompt viewers to read up on the Battle of Thermopylae and learn how the Spartans were different from other Greeks. And then they should read up on Greek history in general. As long as people don’t rely on 300 as an accurate historical source, the film is OK.


17
Mar 07

William Sledd on YouTube: A Review

Right now, my favorite videos to watch on YouTube are by William Sledd. He’s flamboyant, extremely opinionated, and confidently has his own sense of style, whether in fashion or his presentation of his videos. His signature hairstyle is longish and slightly asymmetrical, which definitely makes an impression. It gives him an iconic look, but he’s more that the haircut. His persona is mainly extroverted, brash, and lovingly sharp tongued, affectionately addressing his friends and viewers as “bitches” as he gives fashion advice and dispenses his opinions on other topics. He regularly posts features such as “Ask A Gay Man,” which serve as a one man fashion editorial where he is occasionally joined by his partner in crime Stephanie, who is prominent on WilliamSledd.Com and Sleddhead.com. On “Ask A Gay Man,” he answers viewers questions and devotes attention to the trends and the fashion do’s and don’t's (and hearing about the don’t's is fun). He definitelty does Stacy London of What Not To Wear proud.

Most of William Sledd’s posts are fun, whether he’s speaking of fashion or engaging in personal confession. Occasionally, there are moments or vulnerability, such as when he speaks out on the hurtfulness of hate speech (Moments of Stupidity). While his posts are often smartly funny, these few serious posts give him depth and add some breadth to the William Sledd persona.

Being the fifth or sixth most watched person on YouTube, William Sledd is parodied by a straight man who can’t even bring himself to say “bitches.” Here, the guy wears a very bad hairpiece, looking like a fashion don’t from the 1980′s. It has its moments, but “female dogs” just doesn’t have the punch or reclaimed fun of “bitches.” However, that someone thought to spoof Sledd shows how much of a presence Sledd has on YouTube.

In all, William Sledd rocks! I love watching his posts and I keep checking every week to catch the latest. Who else can make black nail polish from Chanel exciting? Chanel should have paid him for that. I also like WilliamSledd.Com. The layout is simple, but stylish. While there isn’t much content, he does blog regularly. He also has a line of fashionable t-shirts on Sleddhead.com. He definitely loves what he’s doing and, lately, he’s been getting a lot of media attention, being written up in WWD and Instinct (to name a few), and having an appearance on The View. Not bad for someone from Paducha, Kentucky. Excellent is more like it. Most people flock to NY or LA to get noticed for fashion, but Sledd did it from a place where one least expects it, which makes it more exceptional. The Internet had a lot to do with it, but he was just following his passion. I hope the payoff to come is big.


16
Mar 07

shindo is now on iTunes

It’s official. My podcast is now available on iTunes. Actually, I have a site on iTunes, but the RSS feed comes directly from my site.

Now there are two option available for accessing my podcasts. The first option is to go to the shindocast page on shindotv and click subscribe. The new option is the one mentioned above, and here’s the link: http://phobos.apple.com/WebObjects/MZStore.woa/wa/viewPodcast?id=219752087. Note: you need to have iTunes on your computer to view this. It’s not strictly a Mac thing, you know.

Check it out and subscribe! Keep in mind this podcast is weekly, so the next episode is coming next Friday, 12:00am EST (Thursday 9:00pm PST). I’ll be reading “Benny’s Narratives,” which has come explicit content.


16
Mar 07

shindo is now on iTunes

It’s official. My podcast is now available on iTunes. Actually, I have a site on iTunes, but the RSS feed comes directly from my site.

Now there are two option available for accessing my podcasts. The first option is to go to the shindocast page on shindotv and click subscribe. The new option is the one mentioned above, and here’s the link: http://phobos.apple.com/WebObjects/MZStore.woa/wa/viewPodcast?id=219752087. Note: you need to have iTunes on your computer to view this. It’s not strictly a Mac thing, you know.

Check it out and subscribe! Keep in mind this podcast is weekly, so the next episode is coming next Friday, 12:00am EST (Thursday 9:00pm PST). I’ll be reading “Benny’s Narratives,” which has come explicit content.


16
Mar 07

New ShindoTV

I just uploaded ShindoTV and the podcast pages. The information for my site on the margin has also been brought up to date. This blog functions as an integrated part of ShindoTV, so reciprocal links to the blog is also listed on the site.

I’ve worked to make the site more attactive in appearance and at the same time be updatable. Podcasts will be updated every week, and essays every two week, and fiction every month. So please, come back, there’s more to come.

This week, the podcast is a reading of “The Supermarket Obatarian.” Check it out, enjoy. Unwind on your Fridays with ShindoTV.


15
Mar 07

Top Design: Life of the Party

Last week, I tuned out on the episode. Ryan had to go last week, which is the only thing I remember. Oh, and it was about teamwork.

This time again, there were two teams to create unique atmosphere for tent parties for Bacardi Limon. What can you really do with a tent? They have to decorate with the five senses in mind, and they had a budget of $8500 per team.

Goil, Erik, and Andrea get together to build an Icelandic type party. It’s Goil’s dream collaboration, working with Andrea, but this will soon unravel. The marriage made in hell from the beginning is Carissa and Michael with Matt along for the ride. Carissa and Michael clash on ideas, while Goil feels shut out from his team when it comes to contributing his ideas. His chandelier idea gets modified towards something not like anything he conceived, feeding into his resentment towards his teammates. Thankfully, he doesn’t leave. That honor goes to Erik.

The Icelandic type of party is more adventurous, but Carissa’s party, while more conservative, is more A-list and successful. The bouncer had a lot to do with it, but the tables with the lemons under the glass was a nice touch. Otherwise, it was a standard arrangement of rectangles. Carissa’s team wins in spite of her. She does not do well in teamwork, which shows when she rolls her eyes when Michael talks to the judges. She’s not aware of it, which shows in how prepared she is to talk about it.

Jonathan Adler’s ensemble – hideous. What is up with those stripes and the polka dot tie. The way he said “partay” made me cringe as well. Margaret Russell is more subdued (being fiercer in ealier episodes), while Kelly Wearstler looks lovely as ever, but doesn’t say much, but is very astute, nonethess.

Shear Genius is coming up in April right when Top Design closes out. Do we really need one of these Project Runway formula shows? If I were to put these programs so far in tiers, Project Runway would be on top, Top Chef would be in the middle, and Top Design would be way at the bottom. Perhaps interior designers aren’t as flamboyant and they just don’t make good television. Or, Bravo just needs to give it a rest. Hair and the personalities that come with it hopefully will be entertaining. Santino times twelve.


14
Mar 07

ShindoTV update

I haven’t done any substantial content since the Battlestar Galactica commentary. That isn’t too bad; it least it isn’t several months of silence. I’m not going to let that happen again, regardless of circumstances.

I’ve been busy working on the new webpage. Of course, one may wonder how hard can it be, but I want it to come out right. This is about me, after all, and I think I can do a better job of presenting myself than with a MySpace page. I’ve got one of those things too, but I’m not too keen on it. But, it may be good for a few things. Maybe I’ll just create a MySpace page for the ShindoTV. Can you tell I’m over MySpace?

The podcast is the last thing I have to do. I’ll record it later tonight or tomorrow morning, when it is quiet. I plan to update this weekly on Thurs. 9:00 PST (that’s Friday 12:00 am EST). Come spend your Fridays with me and hear me read a short story, essay, and the occasional poem. But, definitely subscribe!

Fiction will be updated monthly. There will be two short stories, “Golem” and “Benny’s Narratives,” both formatted for the new site. There will also be a reading of “The Supermarket Obatarian,” one of my earlier short stories, on the podcast section. Then, the stories will be updated on the first week of the month.

ShindoTV gets an upgrade tomorrow. Set your antennas to recieve the signals.


12
Mar 07

Battlestar Galactica, Season 3: The Son Also Rises

I told my brother my addiction to Battlestar Galactica was like methadone for Star Trek. I was an avid fan for many years, watching that show religiously. My brother offered that it wasn’t methadone at all, but a more powerful and grittier kind of drug. I hate to admit it, but he might be right.

Gotta love a man in shades, especially when he wears them indoors. Baltar’s new attorney, Lampkin, has that aloof kind of cool, reminiscent of Agent Smith from The Matrix. Actually, it’s more than that. His dark, casual attire suggests a post-modern chic, and he’s more arrogant than Baltar ever was. Baltar has affected humility; this man has none at all. He’s extremely manipulative, and among his quirks are that he carries around a cat and he’s a kleptomaniac. He’s not interested in defending Baltar for the good of giving a man a fair shot at justice; instead, it’s for glory.

Baltar’s previous lawyer was definitely an ephemeral presence. He’s not really missed when a bomb goes off in the raptor he boards, and his death comes across as an inconvenience to the process of Baltar’s trial. His characterization of whispering is supplied by Racetrack, the pilot assigned to ferry him. He did, however, make Baltar’s version of Mein Kampf possible.

This is one of those episodes that brings attention to how the Fleet tries to hold onto institutions that barely exist. The laws are no longer bound to the lands where they were written. The schools and associations that provide lawyers and other professionals with their credentials are gone forever. Naturally, lawyers, doctors, and other skilled people were on the transports when the Fleet came together to pool resources to protect themselves from the Cylons. The question is, who will replace these people when the time comes? Whenver Battlestar Galactica touches upon infrastructure in the Fleet, it’s fascinating.

When Adama tells his son he’s not an attorney to stop him from further helping Lampkin, Lee protests that he gave him his grandfather’s law books. Essentially, the only way to educate new lawyers now is to have them read what law books are left. Plus, these books are an extremely valuable commodity since there are a few of them. Lee seems to be more an intellectual than a soldier, so he’s better suited for this. However the real reason is that Adama doesn’t want to see him on the other side of the hearing. This trial has already began to divide father and son again.

It’s been a while since terrorism have been around in the Galactica milieu. Of course, what the resistance did on New Caprica was considered terrorism by the Cylons, but one of Galactica’s officers is exposed here as a culprit, attempting to bypass Baltar’s fair trial by killing off his attorneys. It would be more logical to go after Baltar himself, but security is tighter at his cell, so the attorneys are the next best target. Killing attorneys would dry up the prospects of anyone volunteering to represent Baltar, perhaps making it more expedient to execute him.

Since Tom Zarek’s warning about trying Baltar to Laura Roslin was featured in the recap, I had some expectation of seeing him in this episode. Did he know this type of terrorism would happen? Or was there something in it for him that frightened him? Zarek’s fears and concerns aren’t fully explored yet, but there needs to be some payoff.

For someone who’s been in a jail cell for the past few weeks, Caprica Six looks great. Her hair looks no different from any other episode, and she looks well made up. Plus, that black outfit held up very well. She’s smart enough not to fall for Lampkin’s ploy with Baltar’s pen, but she’s vulnerable when he wears her down interviewing her about her love for Baltar. She hits Saul Tigh next week – an ass kicking by her is something to look forward to.